Nine Inch Nails LIVE


The Orlando show was the best NIN show I’ve ever seen (this was my 5th show). The new lineup sounded excellent and the performances were fantastic. The sound quality on-stage was really spectacular – i’ve never heard an arena sound so clear and powerful. The setlist was a great sampling of the discography. Lighting and stage setup was really cool. The show was my wife’s first NIN experience and she ranks it as one of the best shows she’s ever seen. Alex (the drummer) did a superb job for jumping on mid-tour.

Standout moments:

  • realizing the fans during March of The PIgs
  • Right Where It Belongs visuals and live arrangement
  • Aaron trying to balance on his headstock
  • Gave Up (excellent vocal effects for the verses)
  • Burn!

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A Long Day

So I was involved in a car accident yesterday. A guy hydroplaned into the back of my new ’05 Mazda 6. His insurance should cover repairs, but it’s a pain to have to deal with all of that.

I also served as a juror yesterday for the first time, and together with 5 other strangers, convicted a man of attempted first degree murder, aggravated assault with a deadly weapon, aggravated battery with a deadly weapon, possession of a firearm by a convicted felon, and discharging a firearm in public.

It was a long day.

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My Discovery of The Bad Plus

I had a strange moment today when visiting out the new Winter Garden Library – I was checking out the new facility, looking through the books, DVDs, and CDs. I noticed they had a substantial jazz section, so I flipped through to see if there was anything interesting. Up comes a cool blue cover with a peculiar name for a jazz group -
The Bad Plus.

I check the track names. Smells Like Teen Spirit. Neat! I also see a track named Flim – now this has me thinking. I had heard about 15 seconds of a jazz cover of one of my all time favorite Aphex Twin songs, Flim, on WUCF, the local jazz radio station when driving around with my wife one day. I thought… “I would love to know who’s covering that.” I hope to someday be in a group that does jazz/electronic live combo music.

So I check out the CD, pop it into the car CD player, and sure enough – it is the one and the same track I heard on the radio. My wife says it’s proof that destiny exists. I say it’s just wild coincidence. Regardless, I have a new favorite CD, and also found about an awesome group, Halloween, Alaska, that features the same drummer from The Bad Plus.

I love finding new great music.

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Microsoft Sparkle


The first thing I thought of concerning Sparkle is customer support. If we design a site using Sparkle, and our customers visit the site, what sort of experience will they have if they don’t have Windows Vista? Imagine a Mac user on Safari. Or a Linux user? They will have no way to view the content. The app will just break.

Alternately, you would have to point those users (XP, Mac, Linux) to a special download of an altered or limited version of Avalon made for those platforms. It seems that downloading something with that large of a graphic framework would not be as simple as a Flash Player download.

You would download probably a 60MB+ file (just a guess) and then after install have to reboot before you can view the content. That’s a journey that nearly any non-computer savvy customer will not be willing to take. And most companies, large or small, would be hesitant to help them through.

Right now we can do a LOT with the Flash Player using the tools Macromedia provides, and a new install takes seconds, and without a reboot if users don’t happen to have it. In my mind, Sparkle’s features will be the best thing ever to hit application development for Windows Vista and future platforms. But for the web, Sparkle has a lot of limitations compared to Flash’s cross-platform ubiquity.

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